By Stanislav Arnautov · Berlin
Quick answer
Decorative skateboard decks are real maple skateboards printed as wall art rather than built to ride. The Jan Davidsz de Heem Baroque Floral triptych is three vertical decks forming one 70 × 85 cm Dutch Golden Age flower still life — striped tulips, roses and a white peony on a dark ground. Grade-A 7-ply Canadian maple, gallery UV print, ships from Berlin. Mounting hardware is sold separately.
Most people who search for decorative skateboard decks are not looking for a board to ollie. They want something that hangs like art, keeps the material honesty of maple wood, and still reads as a skateboard from across the room. That is the whole point of the format we print at deckarts: a Grade-A Canadian maple deck used as the substrate for a painting, finished for the wall rather than the street.
This article is about one specific set — and about new photographs of it in a place you would not usually put flowers. The Jan Davidsz de Heem Baroque Floral skateboard triptych spreads a Dutch Golden Age still life across three decks. We shot it in a moody billiards hall: flat on green felt between pool balls, and leaning against the table under warm overhead lamps. The contrast is deliberate. Baroque floral splendour belongs historically in dining rooms and cabinets of curiosities. On maple, under pool-table light, it also reads as contemporary decorative wall art — which is exactly how most buyers use these decks.
What Decorative Skateboard Decks Actually Are
A decorative skateboard deck is a real skateboard blank — not a plastic prop and not a framed poster cut to shape — printed with an image and hung rather than ridden. At deckarts that means:
- Material: Grade-A 7-ply Canadian maple, the same construction used for professional decks.
- Print: gallery-quality UV print applied directly to the sealed wood. No glass, so the surface is wipe-clean and does not glare.
- Formats: a single deck at 85 × 20 cm; a diptych at 45 × 85 cm; a triptych at 70 × 85 cm (three decks standing vertically side by side).
- Use: decorative wall art only. The product pages state that clearly. These are not sold as skateable boards.
Why a skateboard instead of a canvas? Proportion. At roughly 4.25:1, a deck fits narrow walls, vertical compositions and long horizontal runs that framed art struggles with. A floral still life that was painted as a tall, dense bouquet maps naturally onto three upright boards: you get width for the full arrangement without stretching the flowers into a landscape crop. Our hub guide Skateboard Art as Wall Art covers the format in general; this piece stays with one floral set and the decorative use case.
If you arrived here searching for “decorative skateboard decks” in the broader sense — how to choose them, how they differ from rideable graphics, how they sit in a room — this de Heem triptych is a concrete example. It is one of the densest classical options in the shop, and the pool-hall photographs show how the object behaves as furniture-adjacent décor, not as sports memorabilia.
The Floral Triptych in a Pool Hall
We photographed the set in a dim billiards room: dark wood, cue racks, green baize, warm lamps. The choice was aesthetic, not literal — nobody is suggesting you hang a 17th-century bouquet over the break. The point was to show decorative skateboard decks outside the usual white-wall product shot: as physical objects that catch light on their gloss, cast a shadow, and hold their own next to leather pockets and turned table legs.
Two things become clearer in these shots than in a flat studio crop. First, the objecthood of the decks — the concave curves, the truck holes, the maple edge — stay visible even when the print is busy. That is part of why people buy decorative skateboard decks instead of a canvas of the same painting: you always know what the substrate is. Second, the dark ground of the still life works with low, warm light. The flowers stay readable; the black field absorbs into the room. On a pale living-room wall the same set becomes a bright colour block. Both readings are valid; the pool hall just proves the darker one.
The Painting: De Heem and Bloemenpraal
Jan Davidsz. de Heem (1606–1684) was one of the leading painters of floral still life in the Dutch Golden Age. Born in Utrecht, he spent much of his career in Antwerp, where Flemish taste for rich, theatrical arrangements met the precise Dutch interest in individual blooms. The Dutch word for the kind of showpiece bouquet he perfected is bloemenpraal — floral splendour.
The composition on this triptych follows the product-page attribution: Jan Davidsz de Heem, around the 1660s — Dutch Golden Age bloemenpraal at full volume. Glass vase on a ledge, near-black ground, towering arrangement of tulips, roses, peonies, smaller blue and white blossoms, wheat ears and foliage from different seasons locked into one permanent spring. Painters of this period worked from seasonal studies collected across a year, then composed the finished picture from that library. The bouquet is an argument about abundance and permanence, not a florist’s receipt.
Same genre as de Heem’s Vase of Flowers, c. 1660, National Gallery of Art, Washington (accession 1961.6.1) — flamed tulips, high white peony, glass vase, insects, dark ground. The store does not name a specific museum inventory for this print; we do not claim a one-to-one match.
Look long enough and the second Dutch layer appears. A snail on a leaf, a browning edge, a creature on the ledge — these are not accidents. They are vanitas markers: reminders that the splendour is temporary. A painted bouquet outlasts the cut flowers; the insects remind you that even painted permanence is a fiction about time. Our longer category piece, Botanical & Floral Skateboard Wall Art, situates de Heem next to Rachel Ruysch, Van Gogh and Japanese sakura. The short version for this set: it is the densest, most “dining room classical” floral option we print as a triptych.
Details Worth Spotting Across Three Decks
Because the image is split over three 20 cm-wide boards, some forms sit almost entirely on one deck while others cross the gaps. That is a feature, not a flaw — it trains the eye to reassemble the bouquet.
- Flamed tulips. The red-and-white striped tulips are the Dutch Golden Age signature. On the left and right decks they read immediately from across a room; up close you see the broken colour that made such bulbs legendary during (and after) tulip mania.
- The white peony at the crown. The large pale bloom near the top centre is the compositional anchor. Hang the middle deck first and this flower tells you whether the set is level.
- Pink roses and the lower red bloom. Warmth concentrates in the lower third — useful if the set sits above warm wood furniture.
- Glass vase and ledge. The vase sits mainly on the centre deck. Stems in water and the ledge line give the arrangement gravity; without them the flowers would float.
- Wheat, pea pods, small blue accents. These quieter forms fill the dark field and reward a second look — the opposite of a flat “flower graphic.”
- Snail and small creatures. Classic still-life extras. They are easy to miss until someone points them out, which is half the pleasure of owning the set.
From far away the triptych reads as a single dark rectangle with a bright floral mass. From arm’s length it becomes a catalogue of species. That double scale is why decorative skateboard decks work for both open living walls and tighter dining niches.
Size, Materials and Hanging
According to the product page, the set is three decks mounted side by side, each standing vertically, forming one panoramic composition across 70 × 85 cm. Material is Grade-A 7-ply Canadian maple with a gallery-quality UV print — no glass needed. The set ships from Berlin in protective packaging. Mounting hardware is not included and is sold separately.
Check the product page for the current price.
Spacing and height
- Three decks at 20 cm each total 60 cm of wood; the stated 70 cm overall width leaves roughly 5 cm gaps between boards. Keep both gaps identical — uneven spacing breaks a continuous bouquet faster than it breaks a three-panel narrative scene.
- On an open wall, centre the artwork near eye level (about 145–150 cm from the floor to the midpoint). For an 85 cm-tall set that puts the top near 190 cm.
- Above furniture, leave about 15–25 cm between the top of the sideboard or sofa back and the bottom of the decks.
Hardware options live in the accessories collection: the deckarts wall mount and the freestanding floor stand. The decks also have pre-drilled holes. For a full walkthrough of methods, see How to Hang Skateboard Wall Art.
Where This Set Works (and Where It Doesn’t)
Strong fits
- Dining room. Dutch flower painting was dining-room art for a reason: abundance, conversation, candlelight. Our dining guide already flags this triptych as the historical precedent in the range — see Wall Art for Dining Room: Classical Paintings.
- Living room above a sideboard or console roughly 100–160 cm wide. At 70 cm the set is compact; decorative skateboard decks at this scale look deliberate rather than lost.
- Moody, dark or wood-heavy interiors. The black ground of the painting sinks into charcoal, deep green, walnut and leather. The pool-hall photographs are a proof of concept for that mood.
- Formal entry or reception where you want decorative skateboard decks that still signal “museum painting,” not street graphic.
Weaker fits
- A nursery or very soft bedroom if you want calm rather than density. Prefer Van Gogh’s Almond Blossom triptych or the botanical & floral collection’s quieter singles.
- A wide landscape wall that needs a 2-metre statement. This set is 70 cm wide. Measure first; a single continuous sofa wall often wants a different scale or a run of singles.
- Anyone who wants irony or text. This is sincere Baroque splendour. If the room wants a joke, look elsewhere.
Light
The print is described as UV-resistant pigment ink. Still, avoid blasting any artwork with direct midday sun for years if you can help it. In the evening, a nearby lamp or picture light brings the darker petals back; the pool-hall shots show how much warmth the colours gain under tungsten-ish overheads.
Related Floral Pieces at deckarts
If the de Heem triptych is almost right but not quite, these are the honest alternatives in the same family — all real product URLs, no invented partnerships:
| Piece | Format | Why choose it instead |
|---|---|---|
| De Heem Baroque Floral | Triptych 70 × 85 cm | Maximum Dutch density; formal / dining |
| Rachel Ruysch Still-Life with Flowers | Single 85 × 20 cm | Same era, smaller footprint; often more asymmetric |
| Floral Bloom | Single (diptych/triptych variants noted on page) | Dutch-inspired without a named old-master attribution |
| Van Gogh Sunflowers | Triptych 70 × 85 cm | Warm yellow energy; kitchen / workspace |
| Van Gogh Almond Blossom | Triptych 70 × 85 cm | Calm blue; bedroom / nursery |
Browse the full botanical & floral collection or every three-panel triptych. For florist and shop contexts, there is also Skateboard Wall Art for Flower Shops and Florists. For the darker still-life fashion crossover with Ruysch and de Heem, see Vanitas and Decay.
FAQ
What are decorative skateboard decks?
They are real maple skateboard decks printed and finished as wall art rather than as rideable boards. At deckarts that means 7-ply Grade-A Canadian maple, UV print, no glass, sold for display. Formats run from a single deck (85 × 20 cm) to diptychs and triptychs.
Which painting is on this floral triptych?
Per the product page: Jan Davidsz de Heem, Baroque floral still life around the 1660s — Dutch Golden Age bloemenpraal with striped tulips, roses, peony and a glass vase on a dark ground. Same genre as the NGA Vase of Flowers (c. 1660); no exact museum inventory is stated on the store listing.
How big is the de Heem skateboard triptych?
Three vertical decks forming one 70 × 85 cm composition. Each individual deck is 85 × 20 cm.
Is mounting hardware included?
No. Mounting hardware is not included with this triptych. Buy a wall mount or floor stand separately from the accessories collection, or use the pre-drilled holes with your own fixings — standard for decorative skateboard decks sold as wall art.
Can you skate these decks?
No. They are sold as decorative wall art only. The maple and print quality are pro-grade, but the product is finished and marketed for hanging, not for riding.
Is this the same as the botanical floral guide?
No. The botanical & floral guide is the category hub covering many artists and formats. This article is a focused product-and-photoshoot piece on the de Heem triptych as an example of decorative skateboard decks, with new pool-hall imagery.
Do you partner with The Skateroom or another brand on this piece?
No brand partnership is claimed on the product page. deckarts prints this composition on its own maple decks and ships from Berlin. Do not invent collaborations in the published version.
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